| [ SHORT STORIES ] - farm - philosophy - 1.Accomodation
2.The Walking Tracks
- #1: The Path as the Venue for Art
- #2: The Forest Path as a Spiritual Journey
- #3: The Main Circuit
- #4: Tracks to the Lookouts
3.The Caves
4.The Hut
5.The Rainforest
6.Tree story
7.Stories from the Original Owner's Children
8.Nell and the Dead Koala
9.Visitors
10.The Cow
1. Accommodation
An offer to artists, hikers, meditators, and hermits , in fact anyone who
appreciates nature. At the back of my farm in the mountains, I can offer rustic
accommodation. Firstly behind the house is a converted dairy, rather like a grannie flat.
It has mains electricity, a kitchen and a bedroom, wood stove, sink with tank water and a
septic toilet. In fact it is very comfortable and over the years several different people
have stayed there, including children, for years at a time. A conventional car can be
driven right to it. About a 10 minute walk into the hills is a small self contained hut.
It has a wood stove, a single bed, and a desk and chair and not much else. Water is drawn
from the nearby gully. It is situated in a clearing in a forest I planted about 20 years
ago close to a piece of rainforest containing some large trees. Into the rainforest and up
the hill is the most natural and basic of all human accomodation, a cave big enough to
camp in. The facilities here are almost non existent. A platform to sleep on, a fire
place, a chair and not much else. Things are crude and rough but I've even has someone
visit from far overseas just to experience the rawness of nature. In the past, I've had
the very occasional visitor who has appreciated these unique rustic experiences but I'd
now like to make the offer more wide spread. On the farm here, I grow forest trees and
have successfully planted most of the areas that were cleared for agriculture many years
ago. I also have a few cattle and some fruit trees. The other aspect of my farm is for the
appreciation of nature. I have made a circuit walking track connecting the places of
interest. The swimming hole in the creek, the circular pine tree, the shrine, the
lookouts, and the human face in the rock [suiseki] as well as the already mentioned hut,
cave and .rainforest. My walking track is also with in an easy distance of the Noosa Trail
Network where 100's of kms of walking tracks are being built which also includes other
huts, camping areas, bed and breakfasts and farm stays. Have a look at
www.noosa.qld.gov.au/strategicplanning/whatsnew.htm. I'm located about 160km north of
Brisbane, Queensland, Australia, and if anyone is interested they can contact me by email
on forest@spiderweb.com.au Payment is by donation only. I wish to foster a closer
relationship between humans and nature. The future of the humanity and the planet may even
depend upon it. Bob Whitworth.
2. The Walking Tracks
- #1 The Path as the Venue for Art
Occasionally I have a visitor who comes to experience my beautiful farm and to go for a
walk on my walking track. Visitors enter by the large silver cast iron front gate and a
sign says a mysterious, "Normality Stops; Reality Begins". Further on up the
driveway to the old Queensland style country house. Through another gate and the walking
track begins. It is the path that leads us from the comfort of our home into the dark and
mysterious world of "The Jungle" and its still untamed and uncivilised ways. The
path is the smooth over rough places, the ribbon of comparative safety and security
bringing the known into the unknown and bringing a touch of civilisation into the
uncivilised. From the path we view into and over the wilds and feel that the unknown has
been tamed. Art is the achievement of civilisation but uncivilised nature draws us with
the allure of its beauty. My path explores the tension between these two opposites. We
start with a swim in the creek to wash away our preconceived perceptions. This miraculous
water hole is always full with water no matter how severe the drought and just up stream,
the creek is always flowing. What a blessing! Beside the creek is a tree with the initials
CM, carved into it. Who did this and in what circumstances he wanted to be remembered by
is now totally lost. A little further on, we enter a man made forest. It is more correct
to say that this is one of the forests that I've planted and grown myself. This particular
forest was made up with plants that were all rejects from the forestry nursery. The trees
are all so straight and tall and all planted in ordered rows, well almost anyway. Turn
left onto the narrow path and there on our left is a sight where reality needs suspending.
A pine tree has done the impossible and instead of growing so straight and tall like all
the others has by some freak of nature grown into a circle before continuing its upwards
direction. This is not me and my silvan tricks but an act of mysterious untamed Nature. We
now glance at a strategically placed rock and the question is posed, is it natural or has
it been placed there by the hand of man and if so, for what reason? Is the motivation art
or is it just a whim? Man has been placing rocks for thousands of years and I'm drawn to
the pastime as well but I don't know why. A small clearing is entered and here is a small
and remote hut. Inside is a little mural painted by two hippy girls. One a business
graduate from the US with a professional background and a father employed on some secret
mission in the Pentagon and the other from NZ. Together they were travelling the great
magical land of Oz doing spontaneous abstract murals as acts of goodwill. I never
discovered how successfully the US girl returned to the grim reality of her business
world. The sign says "The Edge of the Known World". The path is taking us beyond
the known. Next a fork in the path marked by a cairn, the ancient sign of human
habitation. This should still be standing unless the cows have knocked it down since they
hate all aspects of my landscape art. Take the right hand path. If you look carefully at
your feet, a little further on, there is a piece of bent and rusted barbed wire. Further
to the right, is even the well preserved remains of an old fence. This fence is symbolic
of the changes that have occurred. One hundred years ago this was untouched rainforest. It
was cleared and burnt and turned into bananas and pasture for cattle and a fence was build
with confidence for the future. Now this phase seems almost impossible to perceive as the
jungle advances slowly and relentlessly and civilisation is in retreat. This is an example
of Australian gothic in the landscape. A now mysterious ruin of a lost or declining
civilisation and a way of life now almost totally lost. The next intersection has a track
to the left going to a giant and ancient tree [a dottard], a cave big enough to camp in, a
dark and deep bat cave, and then the path follows a tunnel of walking height; but we are
to complete the circuit and to go straight ahead to the shrine. A seat is on our left to
rest and take in the significance of the site. The shrine was made when a cow bone was
discovered while planting these pine trees years ago. Since then there have been various
donations such as a sea shell, a broken brick, a jewel, a twisted piece of wood, an old
and decayed bronze vase and other quirky additions. Visitors are invited to mount the
dais, sound the gong, a fortuitously found hub cap, and to give a spontaneous talk on what
ever subject is upper most in their minds. For example, to quote a visitor, "I used
to walk up to your big silver front gate and think that what ever was beyond it was a
mystery, now that I've had a look, I now know that the mystery is even greater!" Yes
I like the thought. Visitors are invited to collect a piece of broken pottery and to take
it with them and to add it to the walking track where ever it seems appropriate. When we
walk the path, we wear it down fractionally and it is beneficial to make a little
reparation. These discarded pieces of pottery which were once useful, broken into
uselessness and now have become useful again. To walk the path and to be momentarily
caught by surprise by a glint of broken pottery may just allow us in the instant to see
things differently. Further into the jungle and another seat. Here a drink is offered with
a natural chalice from the clear water of a spring in the creek. More broken pottery from
times past. Another cairn is slowly rising as suitable rocks are found and added. The path
now turns to the right and gradually climbs the hill side. A look out rock is reached with
a view over the valley below. In a crevice on the rock cliff behind the lookout is another
cow bone. This bone has the word "GOMPA" painted on to it. This bone was found
when I planted the Gympie Messmate tree beside the lookout. Bear a moment's thought to the
days when one hundred cows lived here and they needed to graze so high up on this rugged
hill side for grass. Circumstances change. The word gompa is a shrine dedicated to the
Buddha. This was painted by a japanese lady who visited here a year ago. She was of Shinto
background but had studied in India for a year. For her, beauty was found at every turn of
the path and every twist of a leaf. At suitable places as reverence to nature, she painted
a japanese character in water colour paints on leaves, rocks and stems. Upon seeing the
cow bone, she prostrated herself in deference to the lost life. On it she paints the word,
gompa. In front of the bone, on the rock she paints the english word, "RESPECT"
I suppose in an attempt to redeem the situation. Never has my walking track been so
greatly appreciated! A little further on are some fig trees growing over rocks. The same
species that are growing over the temples at Ankor Wat. A closely related species to the
tree under which the Buddha received enlightenment. Just beyond is a human face in the
cliff. The face looks rather severe as it looks down on my farm below. On each cheek is
painted a japanese character. One is now almost invisible due to the ravages of time and
the meaning is now lost, the other is a word that may be translated as respect. Past some
over hanging rocks and a ledge with a few offerings and another character. This can still
be understood and just recently I was told that it says "thank you". I
appreciate the thought. On now to a large seat made from the wood from a giant tree. This
tree was so large that the cross cut saw that cut it down had only an inch on either side
to work with and so the process was very slow and difficult as the story was told to me by
the old man who cut it down in his youth. Eventually the tree was felled and speared down
below. We can't help but dwell on human folly. The effort to cut the ancient forest, the
effort to grow bananas on the steep slope, the effort to keep it free of weeds for grazing
cattle, the lost battle due to the persistence of the invading weeds, the supreme battle
to attack the weeds and plant a new forest and the effort to keep the weeds in check until
the trees can stand alone. We sit on the seat and ponder! Across a plank and over a semi
permanent spring high up on a hill side. A marvel! Further on and to another seat. Looking
up and tied into the fork of a shrub, we can see a rock in the shape of a severed head.
This is an example of suiseki, a japanese word meaning something found in nature that
represents something else. Visitors are invited to take a piece of chalk and enhance the
features to perhaps make it clearer as to who is found here. In the middle ages, severed
heads were placed on stakes for their shock value and to help maintain law and order. I
have not come to a conclusion as to the purpose of this severed head. He now has a chip
from his nose from when the cows knocked him down the hill while in a different location.
It was quite a struggle to find him in all the lantana and to carry him back up the
hillside. Any ideas as to who it is and what I should do with him? Keep walking on,
through the eucalyptus forest, onto the slashed track, straight on and in to the
rainforest with another large tree. Another seat gives a view to the house below and from
another lookout, the scale of the planted forests can be seen. Into now another and older
plantation. Here there are now no rows. The trees were initially planted in rows but many
died of drought and replanted time and again until the rows are now lost and it looks as
if the trees were sown by natural broadcasting. Just off the track, and down into the
rainforest is a special and mysterious tree. This very ancient tree I guess to be over a
thousand years old. It has the name of Lignum Vitae, a latin word which means in english,
tree of life. If you look closely, you can just see grooves cut into the tree. These are
spaced and positioned as they were aboriginal toe holds used for climbing. This is
contentious but it is what I think. Us the civilised, as we like to think of ourselves, am
now face to face with the long lost natural world. Are we civilised or is it just a veneer
we put on for convenience. Us the civilised, could we live in the wild or climb this tree?
I doubt it. Which is greater, us and our civilisation or the natural world that supports
us? How do us the civilised reunite ourselves with the sustaining wild and untamed natural
world? Can making paths become as popular as gardening and landscaping? Down the hill
across a ruined bridge, and on to the house. The circumambulation is now completed. Can I
finish with the word, wabisabi. The profound in the ordinary.
- #2 The Forest Path as a Spiritual Journey.
Is it possible to set up over Australia a net work of hosts who accept visitors as
pilgrims to their place? My beautiful farm means a lot to me and I have done much to
restore the landscape by large scale tree planting. To help appreciate Nature and the
landscape, I have made a walking track. This is a little description of the path and how
traversing it as a pilgrim can be experienced as a spiritual journey. Let me know if you
would like to visit and experience what I have to offer or if you also have something that
other pilgrims would like to know about. Maybe I could start to compile a list. Life is
looked upon as being a journey and we all travel upon our own personal path. One situation
follows after another and we are the wiser for all of our experiences. My forest path
leaves from the known comfort of my secure home and leads its way ever upwards into the
dark and mysterious jungle in the hills. We set off from the house, through a narrow gate,
which could be a bit difficult to find unless we know where to find it or are being shown
the way. A little further on and further up the creek, we come across a swimming hole. A
sign says an enigmatic "Normality Ends; Reality Begins". This remarkable water
hole is always kept full by the perpetually flowing creek. A swim is offered to
symbolically wash away our preconceived ideas by this pure spring fed water. There is a
seat below the sign to sit and contemplate. Here there is a coming together of water,
meadow, trees, and our first encounter with the dark and mysterious jungle. Into one of
the trees opposite, somebody long ago carved the initials CM but the significance is now
lost due to the passing of time. Further on, a deviation from the main path is offered. If
we follow the row of pine trees to the right, it leads us onto a small plateau once used
to grow small crops. Following closely the row of trees, we are being lead around and
around in a spiral until the centre is reached. Here we can sit in this vortex of the pine
trees and absorb their essence. This species is the choice of my tree planting program and
so it is also the primary means of the land's restoration. We sit and look at their tall
and vigorous upright growth habit with its symbolic implication{1}. On return, we can
either unwind the spiral or take the short cut, cutting across the turns and returning
directly to the main path. A little further on the main track, a single pine tree is
reached. This is a progeny of a tree my grandfather planted in the back yard of his house
in Bunya Street, Brisbane. The bunya is a local rainforest pine closely related to the
hoop pine. Just possibly, this tree was planted in memory of his son who was killed in the
war. He planted one tree while I have made a massive undertaking of planting thousands of
pine trees. What is fated, what is destiny and what is free will? As a boy, I grew many
pine trees as they germinated all around me. Three of these trees were kept by my mother
through my adolescence and young adulthood to be later returned to me and planted at the
front gate here on the farm to stand like guardians. Me, the product of parents, one of
whom was born while living in Bunya Street while the other had a bunya pine in the back
yard of his parents house. They marry and conceive me in the foothills of the Bunya
Mountains. I come here, see the bunya pine at the front gate, [planted by the previous
owner in what must have been a flash of precognition against his normal habit],
acknowledge my totem, make it my home and my mission of planting thousands of pine
trees.{2} Onwards and a start is made up the hill. A turn to the left, and a pine tree is
seen that is so strange and unnatural that normal reality needs suspending. The normally
straight and upright aspiration of the pine tree has somehow been suspended and the tree
has grown itself into a circle against The Natural Laws of Nature. This isn't me and my
silvan tricks but a true quirk of nature. A shift in reality. Can we see now that some
things must be possible that were once thought impossible? Next a strategically placed
rock catches our attention. The question is asked, "Is it natural, or has it been
placed here by the hand of man and if so, for what reason?" Yes this is me and my
natural art. A little further on and this time there is a spherical rock, a globe,
prominently placed. Could you draw a map of Australia onto this globe. Where ever you
locate it, it is correct provided it is drawn to scale. The poles and the equator can be
added later. Perhaps you could even draw your country if it isn't Australia. Maybe even a
stellar constellation from the heavenly sphere but it will need to be an earth centric
view of our part of the universe but seeing the constellation from the outside as if in
space and not from the earth as we are familiar with them . A piece of chalk is found
under the base. We enter a clearing and in it the hut. This is available for anyone who
wants to experience the closeness of Nature. A carved sign inside the hut says a cryptic
warning, "The Edge of the Known World", to confirm that we are on a path of
exploration into the unknown. The path forks and in the middle of the fork, a carne. The
traditional sign of human occupation. To the left, a waterfall and a grotto of secret
beauty{3}, but we continue on to the right. Again the path forks. To the left is a giant
and ancient tree[a dottard]. I guess that this tree is well over a thousand years old. Us
humans, to this tree seem small and petty but we have reeked so much damage upon the
jungle yet this tree is in serious decline. It is being strangled by a fig tree and its
fate is sealed. Above is a cave, big enough to camp in with a place to sleep, a fireplace,
and a chair. The cave, the traditional dwelling place for the ascetic, the one who
renounces the world to experience the rawness of Nature. Yes very occasionally I have had
modern visitors camp in the cave to briefly experience this austere and spartan life.
Returning again to the main path, we now come to The Shrine. This was initiated when I
discovered a cow bone while planting one of the pine trees here. I then placed a flatish
rock over some other rocks to form The Shrine to contain the relics of the cow. A legacy
from when things here were quite different. For eons a rainforest existed, it was cleared
briefly for pasture and the grazing of cows and now with my assistance, is returning back
to forest. Here against the rock is a the paltry token remains of a tree of the lost great
forest that was destroyed by the destructive expansion of our civilisation. This is a
buttress of a tree that some how survived the clearing and the fire. This is of a
rainforest tree called lignum vitae. This is the common name in english but the words are
from the latin and mean of all things, "Tree of Life". Since then The Shrine has
been expanded by the donation of other quirky objects to encourage introspection and an
appreciation of Nature. Visitors are invited to mount the dais and sound the gong, a
fortuitously found hub cap, and to give a spontaneous expose' on what ever thoughts are
uppermost in their minds, in english or any other language. What we don't learn by the
actual meaning of the words, we can learn by their subjective essence. Visitors are also
invited to climb up to the next level and to sit on the throne and to have a symbolic
dominion over all that is below. Upon departing The Shrine, visitors are invited to choose
a broken piece of pottery and to take it with them and then to place it upon the path
where ever seems appropriate. The path is always our teacher and in using it, we wear it
down fractionally and it is beneficial to compensate for its use. What was once useful,
broken by accident into uselessness, is returned to usefulness as a fragment that supports
us upon the way. Those passing this way, glimpse out of the corner of their eyes, the
flash of a broken piece of pottery[a shard] and in that moment are caught by surprise and
in that instant see things differently. The final destination is eventually reached. This
is as far away from the house as we go. We can either return the way we came or complete
the circumambulation by going on ahead.
This is where my spiritual journey ends. Here in the creek is a tiny permanent spring
of crystal clear water. If you look closely through the foliage, we can just see a statue
of a goddess. She was found broken in a pile of concrete blocks at the dump{4}. She has
now been repaired and returned to the forest to again roam freely. Come the day when The
Mysteries can again be restored upon our precious planet and the stupendous task of the
redemption of planet earth can commence. A natural rock chalice can be used to dip into
the water to quench our thirst. The rock beside the seat has a naturally formed bowl. This
can be used for holding water and the performing blessings. We sit and contemplate before
returning. Foot notes: 1. I have a book where it discusses the symbolic vertical
aspiration of the pine tree, the architecture of gothic church and the Christian cross. 2.
If requested, I can show the potential visitor an internet site that has a picture of what
it was like in 1975 and the progress of the tree plantings. 3. If specially requested, we
can also visit this little grotto but it is a little difficult to climb into. 4. It was
the chance discovery of this goddess that prompted me to write out this little story.
- #3. The Main Circuit
I have made a walking track going around the farm which connects many places of the places
of interest. It is about a mile long and can be walked relatively easily in about an hour.
There are also other walking tracks linking lookouts and the caves. The walking track
passes through quite a variety of landscapes and forest types.
Very briefly it leaves from the house and passes through pasture. It enters a pine
forest and continues parallel to the creek until it reaches the hut. It continues on and
into the rainforest. The tracks to the cave go off to the left and since the cave walking
track is a circuit, it joins the main track a bit further on. Shortly it cuts back leaving
the creek and rising gradually up to a lookout with views across the creek towards the
caves. It now moves to the western face of the hill and the tracks highest point. There
are views down the hill side and past the house. The track continues on passing a spring
and on to an east west ridge where it becomes a slashed tractor track before entering some
more rainforest. Just before this, the tractor access track goes steeply down the hill to
the right and can be followed if a short cut home is wanted.
The tractor track eventually stops and the track skirts to the right overlooking the
house in several places. The track now has eucalyptus forest to the left and a young hoop
pine plantation to the right. The track now joins the tractor track again and turns to the
right. Back into an older pine forest and down the hill to the access track from the road
to the house, turn right and back to the house.
- #4. Lookout Tracks
There are several good lookouts here. Two of these are large tors .A tor is a
characteristic large round bolder that is common in granite country and are often the
lookout site.
There are also two other terminating tracks which lead to two tor lookouts. One is
quite close to the house on the northern slope and the other departs the main walking
track as it approaches the main creek. It crosses the creek and goes up the southern slope
to another large rock and look out. There is a trick to climbing on top on the rock to see
the view.
3. The Caves
There are 2 caves here. Both are what I believe are called granite bolder caves. They
are derived from the holes that are formed from a pile of granite boulders. They are found
close together half way up the hill side and in the rainforest
One is large enough for camping in. It has a sleeping
platform, one chair in the "living area", and a fireplace with hot plate. The
"front door" also doubles as the chimney so it can get a bit smoky until the
fire dies down to coals. Other than that there are no facilities.
The other cave is a relatively deep hole of about 20
feet and is frequently inhabited by bats. When the bats are home, it is impossible for us
humans to enter. To explore to the bottom requires a torch and to overcome the fear of
claustrophobia and God's wrath.
4. The Hut
I have built a small self contained hut that visitors may use. It is only very small
and contains a wood stove, a single bed, a chair and a desk. It is located near the creek
and some rainforest and is about a 10 minute walk away from the house. The caves are quite
close by.
5. The Rainforest
There are 3 remnant areas of rainforest. These areas weren't cleared in the early days
because it is too steep and rocky. Each area still contains some large trees and are in a
relatively good condition with quite a large range of species.
6. Tree Story
This is a tree story to tell after a hard day57;s work in the forest. Yesterday I cut
down one of my 25 year old flooded gums. It was needed by my neighbours to turn it into
furniture. When I cut it down, I measured it and found that it had been 124 feet tall.
Growing such a tree is exciting but cutting it down is even more exciting. Growing a 124
feet tree in 25 years is quite an achievement.
7. Stories from the Original Owners's Children
The Cutting of this tree in about 1950 as told in January 2000.
"I cut this tallow wood tree when I was in my early twenties. It was so big that
the cross cut saw only had an inch or two on each side for movement back and forwards for
cutting so it was a very slow business to cut it down. It was a very big tree with a lean
down hill and all covered in burls. Eventually we cut through it and as it fell and hit
the ground, it slid all the way to the bottom of the hill."
I believe that a part of the tree can still be found where at the bottom of the hill
where it eventually came to rest. The cross cut saws are still in the shed where they were
left after finishing their business.
8. Nell and the Dead Koala.
I've owned my farm for over 25 years now and I've never seen a koala here in all that
time, although a koala was seen in the tree beside the house just before I bought it.
About two years ago when it was dry, I found a very dead and rotten koala in a dry creek
bed. I had a shovel with me and I lifted it out of the creek with that. It was so rotten
that its head fell off. I then took the head back to the house and was able to clean it
out with the hose. It was so decayed that the contents of the skull and the fur all came
off easily. I now had a koala skull which in actual fact I gave away the next day to some
one who was interested.
The next day I decided to go for a walk "up the back" and Nell decided to
come with me part of the way and then she thinks that it is too boring to go with me and
so she decides to go and have a feed of dead koala. She is a natural scavenger and almost
certainly hasn't eaten koala and is probably looking forward to tasting something new.
I come back to the house and after a little while hear a commotion going on and I
decide to go and investigate. I go and have a look and see down on the creek flat my
precious dog Nell being attacked by about 6 dingoes. I looked at them and they looked back
at me and I take a moment to recognize something out of the ordinary. Initially my brain
doesn't compute before I recognized what I was looking at. They all looked the same,
largish, fairly young and quick moving and all red. I had never seen a dingo here and to
see them all in this situation, all of a sudden was quite peculiar. In a second or two we
each recognize each other and we each think that we are looking at the devil incarnate. I
said to those dingoes, "Get to hell out here and leave my Nell alone" , and they
all left in a flash. I went and checked Nell out and she seems okay. I then went over to
the dead koala and it was still there. I then helped Nell back to the house and looked at
her more closely and I found that she was covered in bites including a large cut on her
back.
The next day I went and looked for the dead koala but it was completely gone. All that
remained was a few pieces of hair. I suspect that those dingoes came back during the night
and ate that rotten old dead koala. A very dreadful meal, only for the desperate. I
suspect that those dingoes would have preferred succulent dog to rotten old koala!
Nell is tough cattle dog, used to bumps and knocks and makes a quick recovery, but I
don't think that even to the present that she has ever eaten koala, fresh or rotten.
9. Visitors
-Two Girls
Two girls came to visit. One was an educated American and the other was from N.Z. The
American particularly loved the presence of the NZ girl and the two seemed to enjoy just
being together and doing little things together. Perhaps they were lesbians or should have
been or even wanted to be , I just didn't know and didn't ask. The American even said to
the NZ girl, "How could I ever be unhappy in your presence?". The girls camped
in the dairy, in the hut, on my verandah, and even in the paddock. Work here is only done
by offering. If someone wants to sit and do nothing and take in the experience of nature,
I don't mind but if I do need help with something, I will ask though.
One little project the girls worked on was the painting of a little mural in the hut.
They traveled with paints and this was one way they made a contribution where ever they
went. First of all they just drew lines all over the area to be painted. Then they took
out the paints and brushes and coloured it in as they saw fit. They then looked at the
patterns and interpreted symbolic representations. The painting is still there to be seen
in the hut. It came to pass that the American girl was actually a graduate in business
studies and had an important and serious job back home. She came to Australia, with a warm
climate and links up with a hippy girl with a different life style and the two travel the
country together. In Washington, where she came from, her father had a job in the pentagon
which was so important that when he retired, he was able to keep his job and the job was
so secret that she didn't even know anything about what work he did. The two eventually
leave and I cannot but wonder what become of her when I suppose she returns home and has
to become serious again. Going from a cool climate to a warm climate and moving from a
stressful lifestyle to one of complete doing only what one feels like is easy and is like
going down hill. Going back home is going in the opposite direction and like going up
hill. I never did hear how her return went and whether she ever recovered from her Ozzie
holiday.
-Mieko
Mieko arrived in disarray. No money, no bankcard, no passport and almost nothing other
than the clothes she was wearing. It turned out that when she left the previous host, she
had left in bad circumstances and had to leave almost immediately leaving most of her
things behind. In fact I had picked her up from an exotic eastern religion nunnery where
she had spent a few days recovering from the previous host. A few days later I contacted
the hosts and made arrangements for them to send her possessions on to me and they warned
me that she was a difficult guest. It took two weeks for her things to arrive which seemed
an excessive length of time and in the meanwhile I had to lend her money and so forth. Yes
she was difficult but she was also very well meaning and idealistic. She was very abstract
in a japanese way and extremely impractical and disorganised. She told me that she was
employed as a yoga instructor in a japanese shinto monastery and was in Australia to try
and sell some pieces of art she was carrying with her which she said were quite valuable.
As well as being knowledgeable with shintoism and buddhism she was also familiar with the
indian religious traditions having also spent some time there. In fact we get along quite
well because I'm a bit of a mystic and a bit abstract myself. Mieko spends her time in the
dairy busying herself doing her art and reading, and I get on with my tree planting past
time. Another thing we have in common is the appreciation of nature and its beauty. She is
one of the very few individuals that I have shown my collection of old twisted pieces of
collected wood that she also finds most enchanting. The most important way that I put my
interactions with nature into practice is with my waking track. Here on the farm, I have
made this path that connects the features of interest such as the hut, cave, large trees
in the rainforest, and so forth with seats conveniently placed but also more abstract
things, as meaningful rocks placed strategically, a shrine with its collections of
offerings and my favourite, a rock in the form of a severed head. The japanese word is
suiseki which means an object occuring naturally in nature which looks like something
else. Mieko is in raptures with the shape of the rocks, the twists of the vine and the
colours of the leaves. The shrine which came about when I discovered an old cow bone and
placed some convenient rocks over it to make a little shelter, for her is deeply and
powerfully symbolic. This is the hindu influence. That afternoon, Mieko goes off on a walk
on her own. I can hear her voice singing shinto songs of devotion to the beauty of nature.
A most satisfying sound for me to hear, someone appreciating nature. Late in the
afternoon, I'm still wandering about and I can still her melodious voice? How beautiful. I
listen,...... and can I even understand some words? Can I hear, "Bob, I'm lost,
Please come and save me!!Help, I'm lost". Yes it's true! I call out, "Yes, Yes,
Yes, I'm coming!" An unprepared struggle in shorts and bare feet, through the jungle,
the vines, the thorns over rocks and up the steepness to find her and return her to
relative civilisation. What may be simple tracks for us to follow, to her more used to the
throng of the crowds, is a labyrinth of confusion. The next day she is off again upon the
path. This time she is certain she will not become lost. At each turn of the track she
comes upon a scene of beauty. She paints a japanese character in water colours to show
appreciation on rocks, leaves, and trees. At one place she removes her clothes, she tells
me, to be closer to nature. At the shrine she prostrates herself for half an hour in
respect to the dead cow. Here she even paints the english word, 'RESPECT' on the bone to
sanctify or maybe to remedy the situation. At the small cliff where there is the
impression of a human face, she paints a japanese character on each cheek. At the severed
head, another character. At each seat she sits and contemplates. The japanese word I like
is wabisabi, the profound in the ordinary. Yes I don't think that my path has been more
greatly appreciated. The mile walk takes most of the day to complete. She eventually
leaves. I don't know how she has gotten on or where she went. She has left behind her
valuable paintings and I'm still not sure what to do with them. She even photographed the
cows looking at these paintings which is an example of some of her type of art. One of the
cattle she named, Latchme after the Buddha's wife because she was so beautiful conviently
ignoring the fact that he was a steer so we renamed him Latchmo.. Yes she left disorder
when she left but if you can't help it is it alright. Her personal background was
interesting and maybe an explanation. Her father who owned the family business was a
volunteer to be a kamikaze pilot in the war. Obviously he must have been devoted to the
japanese way of life and its cause but now after selling the family business, his main
interest is golf. An expensive hobby in Japan. He has shown no tolerance to her eccentric
ways and is probably quite cold and detached to her in the japanese way. When she was
about 15 years, her mother died and he very quickly remarried his wife's sister. Mieko's
aunt now becomes her mother and she calls her mother. I believe this change was difficult
and confusing for her to make at such a sensitive age. Her mother is dead but she has now
has this somehow close imitation of her mother as substitute. She finds it impossible to
settle down to a conventional japanese life style. Yoko Ono is an inspiration to her.
10. The Cow, a Tragically Cursed Animal:
The next time you sit down to eat a steak, bear a thought for that proud but tragically
stupid animal, the cow that has had do donate its actual self for you and your passing
pleasure. For each mouthful you take, think of all the mouthfulls the cow has had to have
made of grass, a food that is so lacking that us humans can only barely eat it at all and
then to have to regurgitate it and to chew it a second time before sending it off to the
second stomach for further digestion and eventual conversion into meat and milk. The ratio
would have to be a million to one. Not only is it a totally disproportionate imbalance, it
is some how even worse that slavery because it is a mockery so extreme that we don't even
see the joke. We have become too far removed from the reality of the situation. Us humans
can be gross lazy fat slobs and the cow, even perhaps bulky with muscle but not fat as us
humans are, and having to work so hard just to live on that most desperate food of all,
grass; us humans are so totally unaware of the situation that we are blind to the fact
that the cow must be carrying a most terrible curse, a jinx from God the Creator, for it
all to be so self perpetuating without us even noticing or questioning or being even
slightly concerned. Our connection with cattle goes back to the dawn of civilisation. The
cow goes extinct in the wild probably because it is just too bulky and stupid to compete
in the world but some how survives in the margins of human settlement because the
predators of the cow keep their distance from us cunning and ruthless humans and so the
close association of humans and cattle is established. Nature must have then decreed that
if humans have saved the cow from extinction, they can have as a reward the right to treat
them as they like. We then ruthlessly and persistently manipulate the situation to our
advantage with the implicit justification that as a creature they only exist due to our
protection. The cow would have to be the laughing stock of the animal kingdom. They are
big, commonly grow to over one ton in weight but their most notable feature is their
stupidity. They have a big brain but it doesn't work very well. They have eyes that look
sidewards and can only just see forwards out of the corner of their eyes. Their nose
points forwards for smell and their ears can listen either sidewards or forwards but if
listening forwards they often block the sidewards vision of their eyes. If you approach a
cow, it will try and listen for you and smell you but it cannot see you clearly straight
ahead. This sends a confusing message to their dull brain which again further jumbles the
information. Maybe a life of grazing is very dull and so a dull brain is a help to pass
the time but it comes at a cost which the cow is perpetually paying. The cow knows that it
is an at risk creature and so has a furious appetite for grass. It wants to get as big and
as fat in as short time as possible for in its great bulk it feels safe. This would have
to be the cows biggest error of judgment for this is also the point of common interest
between us humans and the cow. We also want them to get as big and fat in as short a time
as possible so we can then send them off but here our interests are clearly divergent to
the cow's. I'm a small time cattle producer and I know their ways quite well but even me
who is sympathetic to their life's dilemma, sometimes as a joke, call our to the cows and
ask if they are getting big and fat as fast as possible knowing they will answer yes,
which is to my advantage, and they mistakenly think is to theirs. In fact the cow has such
an appetite that it will even get through fences to get to better grass to get big and
fatter quicker so much so that it becomes a nuisance and has to be sent off for processing
even sooner and even bigger. What a tragic joke at their expense. The life of a dairy cow
is most disciplined. Me as a minor beef producer an envious of the well controlled and
regulated lives of the dairy cow. My beef cattle just wander around aimlessly and look to
cause me as much trouble as possible while the dairy cows are so controlled and under the
thumb. Any form of dissent is treated most harshly and a tightly regimented order is
maintained. Usually the working life of a dairy heifer is set on its dairy path when the
young heifer, living with her many sisters and sharing a common boyfriend, falls pregnant
and gives birth to her one and only love child. Usually the father is a beef animal and
the calf is sent off in a few days and she is inducted into a life of a dairy cow. Here
she is fed plenty of grass and in the morning and evenings even comes willingly and lines
up outside the dairy to be herded inside, to have the milking machines applied and the
milk forcibly pumped out of her. This indignity she does willing all for a few licks of
molassas and a cup full of rich grain. Where are her free spirited animal principles?
About a month later, she starts to cycle[hormonally] and is fixed up by this time by an
unknown and impersonal father who arrived in a test tube. A cow is now lactating and
carrying her new infant. No wonder when you look into the eyes of a milking cow, you can
see the strain of overloaded motherhood. Cows produce milk in proportion to the amount of
grass they eat and life's treadmill is set in motion. Any cow that realises that she is on
this working treadmill for little personal gain, decided not to participate in the system
and instead of furiously eating grass all day just to have her milk pumped out of her for
just a taste of concentrated food and none of her maternal instincts satisfied decides to
reject the system and sits under the tree all day. Unfortunately there is a fascist regime
in place and free loaders on the system are discovered straight away. Each month there is
the dreaded herd recording. Here all cows have their quantity of milk recorded and any cow
that is lazy and below her fixed quota is immediately removed from the herd and compliance
is maintained. Those that keep up the good work have eight months of lactation and
simultaneously carrying the child, an annual month's holiday, birth and back to the
treadmill. This time if the calf is a heifer, it is kept to grow up and to eventually
replace the non performers of the herd. A couple of days of mothering which is all the
only mothering it gets, the young calf is placed in a solitary confinement jail cell and
fed plastic milk from a plastic tit attached to a metal bucket. The mother is distressed
at the loss of her calf but after a couple of days seems to get over it. The situation is
made even more ironically tragic by the fact that the mother walks past the calf's cell
with its infant and is with in two feet of it and yet it is too stupid to recognize its
own distressed baby. Obviously the calf must feel severe rejection. It is then given this
plastic milk for a month and is then released to wander aimlessly with its peers, given a
bit of grain until it reaches adolescence. These calves are lost souls with no parental
guidance at all and the only contact allowed is with others in a similar predicament.
Generation after generation of no mothering, no wonder they are poor parents and yet breed
to produce vast quantities of milk from udders so large the cow can hardly carry it. Us
humans have become now the consumers of all this milk produced in vast quantities for
their now lost babies through the impersonal milking machine as a cold substitute for the
babies suckling. What a tragic caricature this long, long, ago noble creature has become.
Some cows are so addicted to a life of work and obsessively eating grass that they can
actually lactate all the way, passing the repeated dreaded herd recording tests, until
they give birth to the next calf while lactating for the first calf and so miss out on
their annual month's holiday. A feat I didn't think was possible until I received one of
my present generation of calves. Initially he was very runty as too much of his mother's
nutrients had gone into milk production and not to him and he was also a quite stressed
young calf. I hand reared him with the others on the plastic milk and tit but as he grows
older, he is given extra food as molassas and grain and it becomes clear that he has an
eating disorder probably similar to his mother as he become crazed and frantic when this
food is presented to him and excessively and neurotically suckles his friends ears and
other appendages. His name is, Son of Workaholic Mother. Yes, I give all my animals names
and yes they all do have rudimentary personalities with their little likes and dislikes. A
beef calf on the other hand is mothered obsessively but true to the tragic state of the
cow, the calf still grows up to be as stupid and as useless as a dairy calf which receives
almost no mothering. It would be nice to think that the loved calf would be a more rounded
individual but unfortunately that isn't the case. The excessively mothered beef calf if
left alone, eventually grows to be even bigger than the mother and yet she continues to
see it as her precious baby who she eats much grass for to keep lactating which the calf
keeps consuming all the while she keeps thinking of it as her baby. If feed is in short
supply, she can lactate so much and produce so much milk for her calf that she will loose
condition and can even die to feed her fat baby who becomes fatter and even more indolent.
As the calf grows bigger and if a male reaches maturity, this can lead to such scenes of
such debauched and unnatural derrido I balk at describing. Suffice to say that the calf
will suckle, then try to mate with his mother, then attempt to gang bang her with his
peers, then watch voyeuristically a friend taking a liberty, then fight with his peers,
then run off with his mother and suckle again from her for comfort before the whole
debauched sequence will occur again and again and this lasting over several days. Yes
cattle need the firm guiding hand of us humans. Yes, the bull specifically, but cattle in
general, are the symbol of excessive libido energy and with good reason. My neighbour had
a bull which he kept well behaved and locked in the bull paddock who couldn't even
contemplate the world outside his bounds but occasionally one of my fresh heifers who had
been reared on a much more liberal regime, would get into his paddock when their hormones
say all systems go. Male calves are fixed up not long after they are born. I have an
instrument that I applied to the young calf and although it is almost totally painless in
its application they always struggle and resist strongly. This can turns it into quite a
wrestle before I always eventually win. On rare occasions, the application hasn't taken
and has had to have been reapplied especially if there has been much too much toing and
froing and lack of cooperation. Once applied, their lives are much more contented and
satisfying but again gratitude isn't shown to us humans for successfully managing their
lives. As an animal, the cow is a very immature creature. They are happiest in a herd
where they just wander around and generally think nothing other than eating grass. For
sport they seem to take pleasure in butting away their friends from any particular tasty
mouthful of grass. If they find themselves on their own, they immediately become self
conscious and aware of their massive psychological inadequacies, become hysteric and
bellow uncontrollably until mania and fear allows them to find the herd and they calm down
again. Why the cow is so close to mental instability I don't know but I know from
observation that they are very poor sleepers. They only seem to doze lightly even at night
and so I suspect that they suffer from sleep apneoa [depravation] and its destructive
psychological effect. There have been many occasions when humans, children, in particular
have reared an apparently cute calf with much loving care and attention and yet they
always grow into something non cooperative and belligerent so much so that it is
impossible for anyone that knows the situation to love an adult cow. They do not return
the love that has been invested in them. A dog recognizes in us humans something greater
than itself. We successfully manages a dog's potentially disorganised lives which they
appreciate and so worship us with their faithfulness becoming man's best friend. There is
totally no comparison between the two of them. The cow becomes arrogantly aloof and stupid
and also hates the dog as being a sell out to the animal kingdom and its unholy close
relationship with us humans while it sees itself as being true to its animal heritage. The
cow particularly hates the dog's smile and seeing this makes the cow feel sick yet the cow
knows that it has a most fragile personality. If it wasn't for us humans managing their
lives, they wouldn't even be here. A cow looks at a human and things, boring old you
disturbing our lives again. I admit that it is at a price but we keep it a guarded secret
and the price they pay. A cow can live to 20 years and even 30 years is possible but a
dairy cow is kept working until she is about 10 years old and a beef steer is kept until 4
years. What they don't know they can't worry about. I once had an animal that had 4
collapsed hoofs and so it couldn't compete with the rest of the herd who bullied it,[note
the word and its derivation] and took advantage of its crippled condition. I then
delivered it personally on the back of my utility to the local processing plant. An easier
word to use than the more direct and unsavory alternative word. I dropped him at the back
door as told to do so and I could just look in and see the one way conveyor belt and I
admit things looked a bit grim. I then went around to the front door and walked into the
pleasant air conditioned office with the pretty girls and their smiling faces and were
asked simple questions as to where my address was and where I wanted the cheque posted to.
Yes, I fortunately felt happy again and left with in an untroubled frame of mind. The
cheque duly arrived and was happily banked. Passing a butcher's shop and seeing all those
big strong animals now cut into small pieces and put on display is apparently appealing to
some but to me it is strangely macabre. Wives go in and choose a steak which they closely
inspect for the slightest blemish to select the one the seems the most appetising. Some
butcher's shops even have photographs of big fat steers on one side and on the other, the
result of him being cut into small pieces. Yes it is all explained there. Maybe there is a
reason why the cloven hoof is the symbol of the devil? Why have I written this article. As
I have previously mentioned, I'm a small time beef producer and I personally wish to thank
all the people who purchase and consume beef. To me beef seems very expensive and I
personally don't buy it myself because I don't get much satisfaction from eating meat but
meat eaters support me and my idyllic life style because of the price they pay and the
money I receive. Yes I admit it, I suffer from the curse of vegetarism. The Achille's heel
of the beef industry. How can I justify these apparently divergent views? To me, the cow
must be a divinely approved joke. How else could it all pass by with out scrutiny or even
notice? The cow in its previous incarnation somewhere else, another planet, another time
and circumstance, must have been humans who were excessively lazy and indolent and so this
is their ordained punishment. Yes I can accept this and maybe even a sober lesson for us.
We punish them so relentlessly and it all seems to be ordaned from above and I go along
with it all willingly and my conscience is amazingly and happily clear. What a grateful
convenience!
End of story so far.
Contact: Bob Whitworth
ADD: 100 Deserio Rd, Cedar Pocket QLD Australia, 4570.
PH: 07 54866147
E-mail: forest@spiderweb.com.au
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